Creative Writing Faculty
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Permanent Faculty
Rick Barton Fiction Fredrick Barton is an award‑winning writer and critic. He holds a B.A. from Valparaiso University and did graduate work under a Danforth Fellowship, taking degrees from UCLA and the Writers' Workshop at the University of Iowa. A Professor of English and former Dean of the College Liberal Arts, he teaches graduate classes in fiction writing and now serves as Provost and Vice Chancellor for Academic and Student Affairs. A winner of the Louisiana Division of the Arts Literature Prize, Mr. Barton is author of the novels The El Cholo Feeling Passes, Courting Pandemonium, and With Extreme Prejudice. His short stories have appeared in numerous magazines and in the anthologies Something in Common and Above Ground. His novel A House Divided won William Faulkner Prize in fiction. Saturday Review said of The El Cholo Feeling Passes, "It's been called a kind of Fear of Flying for men but is more like a Chill without the posing and contrivance. In fact, it's not like anything except itself: it feels right, it rings true." The Los Angeles Times, wrote, "Page by page it's a winner, a great, wide, youthful swoop at reality that compares to visions of James Jones, Joseph Heller, Philip Roth. The El Cholo Feeling Passes is ‑ and very beautiful." The Atlanta Journal and Constitution hailed Mr. Barton's comic second novel, Courting Pandemonium, for its "stunning ending," and USA Today praised the whole as "a farce of the highest order." United Press International exclaimed, "Fredrick Barton should net fame and fortune with this irreverent and witty slam dunk novel." And Library Journal said, "Barton demonstrates once again his skill at depicting our crazy world." Robert Olen Butler called With Extreme Prejudice "rich and compelling" while Pat Conroy praised it as "first rate and brilliantly written." Shirley Ann Grau said the "novel captures New Orleans like a Billie Holiday blues song. It has passion and beauty and a haunting sense of irrevocable loss." And Richard Ford described the book as "a smart novel of city life‑‑any city‑‑and as such is extremely savvy and thoughtful about America at large." Publisher's Weekly said, "this is a book that supplies pleasure on a number of levels," while Book Page said: "With Extreme Prejudice deserves your attention because of its stunning intelligence." The New York Daily News praised the book as "terrific in every sense." The Cleveland Plain Dealer said: "It's a wonderful book." And the Los Angeles Times recommended the novel as "a superior, savvy tangle of greed, graft and sudden violence with a pervasive subtext of the struggle between unconscious bias and better instincts." Richard Ford compared A House Divided to All the King's Men and praised its "uncommon intelligence, compassion and insight." Robert Olen Butler called A House Divided "an important book" and hailed it for illuminating the "present condition of the American soul." Elizabeth Cox remarked that Mr. Barton's fourth novel "is visually beautiful, a work of imagination and story‑telling that is long overdue." Carol Dawson hailed the book for its "power and authority" and its "tight, lyrical prose." In addition to his accomplishments as a fiction writer, Mr. Barton has achieved success in other narrative media as well. His jazz opera Ash Wednesday with composer Jay Weigel was the keynote presentation of the Words and Music Festival in 1998. His short film, Early Warning, played film festivals in 2001. His film commentary appears weekly on WYES‑TV and regularly in The Cresset, a review of literature, arts and public affairs. His "Balcony Seats" film column in the newsweekly Gambit has won The Press Club of New Orleans' annual criticism prize on eleven occasions. Mr. Barton has also won the Alex Waller Memorial Award, the New Orleans Press Club's highest award for print journalism, and the Stephen T. Victory Award, the Louisiana Bar Journal's annual prize for feature writing. Rick's page in the Department of English.
Randolph Bates Nonfiction Randolph Bates teaches nonfiction writing at the University of New Orleans. His book Rings: On the Life and Family of a Southern Fighter was published to starred reviews in Publishers Weekly and the Library Journal and described as follows by syndicated reviewer Richard Eder in the Los Angeles Times Book Review: " . . . extraordinary book. The effort was made out of a conviction that understanding without involvement is not only incomplete, but can easily become- a white man writing about a black family- exploitation. His book is not a tour but a journey; its end as uncertain as its departure; its passage supremely moving and revealing. . . . The revelations come bit by bit . . . as the story accumulates power without sacrificing complexity. . . . There is much, much more. Rings is a book of quixotic fidelity. It has quixotic wackiness, as well; but, as in the book the adjective comes from, it is wackiness in the service of revelation. It does as much as it possibly can and acknowledges its limits. . . . and in the shortfall lies the book's astonishing achievement. It fails magnificently in suggesting a solution for the story of Collis and his family; it leaves us with an open wound. We will not die from it nor even, probably, amend our lives." Bates has received creative writing fellowships
from the National Endowment for the Arts and the Louisiana Arts Council
and has taught in the expository writing program at Harvard University.
His work has appeared in Randy's page in the Department of English. Amanda Boyden Fiction Amanda Boyden's first novel, Pretty Little Dirty,
was released by Vintage/Random House in North America as a lead title
in March, 2006. Her short fiction and nonfiction has appeared
in a variety of venues including the Globe and Mail,
Joseph Boyden Fiction Joseph Boyden was short-listed for the Upper Canada Writer's
Craft Award for his début short story collection Born with
a Tooth, a book that brought comparisons to Tomson Highway
and established its author as someone to watch. His first novel, Three
Day Road is a tale of survival and rebirth in the aftermath of
conflict inspired, in part, by the real-life World War I Ojibwa sniper
Francis Pegahmagabow. Joseph's work has appeared in publications such
as Potpourri, Cimarron Review, Blue Penny Quarterly, and
The Panhandler, and he is currently at work on his third book.
He divides his time between northern
Carol Gelderman
Nonfiction (Emeritus) Carol Gelderman received her Ph.D. from Northwestern University,
where she also received her Masters degree. Originally hired by the
University of New Orleans to teach modern drama, she is today Distinguished
Professor of English. Before receiving her degrees, she worked for the
American Embassy in London for a year, and she also worked in public
television in Chicago, conducting on-air interviews of visiting VIPs
for a show called Profile Chicago. During her academic career,
Dr. Gelderman has authored eight books, including three biographies:
Henry Ford, The Wayward Capitalist; Mary McCarthy, A Life;
and Louis Auchincloss, A Writer's Life. She also has a strong
interest in politics and government, as reflected in her book All
The Presidents' Words: The Bully Pulpit and the Creation of the Virtual
Presidency. She has written dozens of articles on topics as varied
as theatre, biography, politics, and mutual funds.
John Gery
Poetry John Gery was born in Reading, Pennsylvania, in 1953,
and grew up in Lititz, Pennsylvania. He earned degrees from Princeton
University, the University of Chicago, and Stanford University.
His four published collections of poetry include Charlemagne: A Song
of Gestures (Plumbers Ink, 1983), which received the Plumbers Ink
Poetry Award; The Enemies of Leisure (Story Line, 1995), honored
by Publishers Weekly as a "Best Book of 1995" and awarded a 1995-96
Critics Choice Award from the San Francisco Review of Books and
Today's First Edition television series; American Ghost: Selected
Poems (Raska Skola, 1999; Cross-Cultural, 1999), a bilingual English-Serbian
collection translated by Biljana D. Obradovic, which received the European
Award of the Circle Franz Kafka in Prague; and Davenport's Version
(Portals Press, 2003), a book-length narrative poem about the Civil
War in New Orleans. Gery's fifth volume of poetry, A Gallery of Ghosts,
is forthcoming from Story Line Press. He has also published two
chapbooks, The Burning of New Orleans (Amelia, 1988), winner
of the Charles William Duke Long Poem Award, and Three Poems
(LeStat, 1989). Gery's other books include his major critical study,
Nuclear Annihilation and Contemporary American Poetry: Ways of Nothingness
(University Press of Florida, 1996), and For the House of Torkom
(Cross-Cultural Communications, 1999), co-translated with Vahe Baladouni,
a bilingual volume of the prose poems of Armenian poet Hmayyag Shems. Gery's poetry, criticism, and reviews have appeared in
journals throughout the country, including American Literature,
CEA Critic, Chicago Review, Contemporary Literature, George Washington
Review, Kenyon Review, The Iowa Review, Louisiana Literature, New Orleans
Review, New Virginia Review, Notre Dame Review, Paris Review, Poet Lore,
Prairie Schooner, South Central Review, Southwest Review, and Verse.
His poems and prose have been translated into Serbian, Romanian, Chinese,
Farsi, and Bengali. For his work, he has received, among other awards,
a Creative Writing Fellowship from the National Endowment for the Arts,
an Artist Fellowship from the Louisiana Division of the Arts, two Deep
South Writers Poetry Awards, a Wesleyan University Summer Poetry Fellowship,
and the Academy of American Poets Poetry Award. During Spring
2006, he is a Research Fellow at the Institute for Advanced Study at
the University of Minnesota. A Research Professor of English at the UNO, Gery regularly
teaches Poetry Writing at all levels, Modern and Contemporary Poetry,
Poetry as a Genre, American Women's Poetry, Caribbean Poetry, British
Literature from the Romantics to the Present, American Literature, and
Composition courses. Since 1990 he has also served as the founding
Director of the Ezra Pound Center for Literature at Brunnenburg, Italy,
and is a member of the Women's Studies faculty. He.has also taught
at Stanford, San Jose State, and the University of Iowa, has twice been
a Poet in Residence at Bucknell University, and has lectured and read
his poetry at universities in Serbia, Turkey, Italy, China, and throughout
the U.S.
Currently, he is compiling a collection of poetry, entitled
Have at You Now!, and his critical projects involve American
poetry at the turn of the twenty-first century, parody, and cultural
identity. He is also writing a walking guide to Ezra Pound's 'Venice.
J. Stephen Hank
Screenwriting Professor Hank is the Director of the Film Program at
the University of New Orleans where he teaches courses in film production,
screenwriting and media aesthetics. He has written, produced and directed
over two dozen films in the last 30 years. His films have been broadcast
nationally and have won numerous national and international awards.
He was the regional coordinator for the Motion Picture Academy's Nicholls
Screenwriting Fellowship and has been a judge in numerous film competitions.
He is a long-standing member of the University Film and Video Association,
a past board member and Executive Vice President, and was its scholarship
chair for over ten years. His articles on film theory and production
have appeared in Wide Angle, Film Journal, Southern Quarterly, and the
American Film Institute's Educational Journal. Department of Film, Theatre,
and Creative Arts.
Bill Lavender
Poetry Bill Lavender is the director of the Low
Residency Creative Writing program and coordinator of the Madrid
Summer Seminars. His most recent books of poetry include I of
the Storm (Trembling Pillow 2007), While Sleeping (Chax
Press 2004), look the universe is dreaming (Potes and Poets
2002), and Guest Chain (Lavender
Ink 1999). He is the editor of Another
South: Experimental Writing in the South, an anthology from
University of Alabama Press (2003). His poetry and essays have appeared
in numerous print magazines including Jubilat, New Orleans Review,
Gulf Coast Review, Skanky Possum, YAWP, and Fell Swoop,
and web publications including Exquisite
Corpse, Muse
Apprentice Guild, CanWeHaveOurBallBack,
Moria,
Baddog,
Poets Against the War, and, more recently,
Big Bridge, and Nolafugees.
He has published scholarship in Poetics
Today and Contemporary
Literature. He lives in New Orleans with Dr.
Nancy Dixon. He is pictured here with Nancy, their dog Renny, their
friends' dog Gracie, their cat and all important possessions, on St.
Philip Street, New Orleans, August 31, 2005. Phil Karnell Playwriting Phil Karnell is the chair of the Film Theater and Communications
Department at the University of New Orleans. Photo depicts UNO Chancellor Gregory O'Brien and Professor,
Director Phil Karnell with Playwright Rebecca Basham receiving National
Award for Lot's Daughters at the Kennedy Center during the
American College Theatre Festival. Department of Film, Theatre,
and Creative Arts. Joanna Brent Leake Fiction Joanna Leake was born and raised in Baton Rouge, La.
She graduated magna cum laude from Vassar College and received a Master
of Arts in the Humanities from the State University of New York in Buffalo.
She is a Professor of English and served from l992-2001 and from 2003
to present as the Director of the Creative Writing Workshop, an M.F.A.
program at the University of New Orleans. She is the New Orleans editor
of Bayou, a literary magazine co-published with the University of West
Florida in Pensacola. Ms. Leake is the author of A Few Days in Weasel Creek.
The screen adaptation of this novel was a C.B.S. movie-of-the-week.
In addition, she has written screenplays under contract for Rainbow
Productions, Twentieth Century Fox and Warner Brothers. Three of her
manuscripts have been optioned for screen rights. Two textbooks, The
Illustrated Guide to Writing and The Illustrated Guide to College
Composition, co-authored with James Knudsen, have been published
by Longman. Ms. Leake's short fiction has appeared in the Intro
anthology, Cultural Vistas, Xavier Review, The Panhandler, Louisville
Review and Apalachee Review. She has reviewed literature
for the Los Angeles Times and her articles have appeared in
Architectural Digest and Vignette. For ten years she
reviewed films with Rick Barton on WWNO, the NPR affiliate in New Orleans.
She is the past President of the Gulf Coast Association of Creative
Writing Teachers, former associate editor of Short Story, current
editor of Bayou and is the Director of the Times-Picayune
Adult Literacy Project. Joanna Leake lives in New Orleans with her husband, David,
daughter Madeleine, and dog, Waylon. Joanna's
page in the Department of English. Kay Murphy
Poetry Kay Murphy teaches poetry in the UNO Creative Writing
Workshop, and is the author of two books, The Autopsy (Spoon
River Poetry Press, 1985) and Belief Blues (Portals Press, 1999).
In his introduction to Belief Blues, poet W.D. Snodgrass writes, "Maybe
you don't really want to read these poems. Are you sure you want to
know about the lives of those at the low end of the scale -- those that
World War Two gave the free time to grow dissatisfied and hate-filled,
left without a real body of beliefs to enfold them in a stable, protected
society?" Murphy's latest project is a book of formal poems. Her poetry
has appeared in Exquisite Corpse, Spoon River Poetry Quarterly,
College English, New Orleans Review, and has been anthologized
in From a Bend in the River: 100 New Orleans Poets. Murphy is
also a poetry critic; her work appears regularly in Chelsea and
other literary journals.
Kay's
page in the Department of English.
Playwriting, Screenwriting Steven Bogart has spent over twenty-five years as an artist
and educator. For the past seventeen years he has been teaching and
directing at Lexington High School. He holds a BFA in painting from
Tufts University, an MA in Theater from Emerson College, and an MFA
in Creative Writing from the University of New Orleans. He has created
ensemble driven original works that have performed professionally at
the Boston Center for the Arts, The Berkshire Center for Contemporary
Art and other nontraditional performance spaces. He is the author of
many stage plays and screenplays. His play, Conspiracy of Memory
was a Kennedy Center Finalist for New American Plays in 2002, and
was premiered in Boston in 2004. Recently, he founded Rouged Ape, a
paratheatrical theater company committed to the development of art performance.
He has led workshops in collaborative playwriting around the state of
Massachusetts, and has created over thirty workshop theater pieces.
Many of these plays were developed with High School students and won
state and national competitions. Recently his play, Men and the
Moon had its world premiere as part of the Boston Theater Marathon,
and next January his paintings will be part of the Decordova Museum's
exhibition, The Big Bang, Abstract painting in the 21st century. He
lives with his wife Amory in Maynard, Massachusetts. Nonfiction
Steven Church earned his MFA in fiction from Colorado State University. His first book, The Guinness Book of Me: aMemoir of Record, was released in 2005 by Simon & Schuster. It was named a Colorado Book Award Winner and recentlyoptioned for television by Sonar Pictures. His essays and storieshavebeen published in Fourth Genre, The Pinch, The North American Review, Colorado Review, Ecotone, Avery, Post Road, and many others. He has been nominated 5 times for a Pushcart Prize. He teaches creative nonfiction in the MFA Program at Fresno State and is a founding editor of the new literary magazine, The Normal School. He taught for UNO in the Madrid Summer Seminars in 2007.
Poetry PETER GIZZI's books include Some Values of Landscape
and Weather, Artificial Heart, and Periplum and Other Poems
1987-92. He has also published several limited-edition chapbooks,
folios, and artist books. His work has been translated into numerous
languages. About his collection Artificial Heart, the critic
Marjorie Perloff has said: "In his visionary quest, his raw emotion,
and his New York school spontaneity, Gizzi performs a clinamen that
relates him to O'Hara, Ashbery, and, beyond these poets, to Rimbaud
and Hart Crane.... a master of the mot juste and of sound structure.
Most of the book's poems... are as memorable as they are moving and
spare." His honors include the Lavan Younger Poet Award from the
'Academy of American Poets (1994) and fellowships from the Howard Foundation
(1998), The Foundation for Contemporary Performance Arts (1999), and
The John Simon Guggenheim Memorial Foundation (2005). He has held residencies at The MacDowell Colony, The Foundation
of French Literature at Royaumont, Un Bureau Sur L'Atlantique, and the
Centre International de Poesie Marseille. His editing projects have included o-blék:
a journal of language arts, The Exact Change Yearbook,
and The House That Jack Built: The Collected Lectures of Jack Spicer.
He holds degrees from New York University, Brown University, and the
State University of New York at Buffalo. He has been on the faculty at 'Brown 'University (1993-94),
the 'University of 'California, Santa Cruz (1995-2001), the Jack Kerouac
School of Disembodied Poetics Summer Program at Naropa (1998), and The
University of New Orleans Summer Program in Madrid (2004). Currently
he teaches at the 'University of 'Massachusetts at Amherst. Playwriting Jim’s third novel, My Drowning, was published in 1997 and for this book Jim was named Georgia Author of the Year. His fourth novel, Comfort & Joy was a Lambda Literary Award finalist, and his fifth novel, Boulevard, was published in April, 2002. Jim has written ten full-length and four one-act plays, including Mr. Universe, The Lizard of Tarsus, White People and The Existentialists. A collection of his plays, Mr. Universe and Other Plays was published by Algonquin in 1998, and was a Lambda Literary Award finalist in drama. He has been playwright-in-residence at 7Stages Theatre of Atlanta since 1986 and has been playwright in residence at About Face Theatre of Chicago since May, 2000. In 1988 he was awarded the George Oppenheimer Award for Best New American Playwright for his play Mr. Universe. He was also awarded the first-ever Bryan Prize for Drama, presented by the Fellowship of Southern Writers for distinguished achievement in the field of playwriting, in 1993. He was a 1997 winner of the Lila Wallace/Reader’s Digest Award. Jim also won the first ever Saints and Sinners Mid Career Writers Award in the spring of 2007. He is a member of PEN, Dramatists Guild, Alternate ROOTS, and the Science Fiction & Fantasy Writers of America. In 2005, he won an Academy Award in Literature from the American Academy of Arts and Letters for his work as a playwright and novelist. Nonfiction Lee Gutkind, founder and editor of Creative Nonfiction,
has performed as a clown for Ringling Brothers, scrubbed with heart
and liver transplant surgeons, wandered the country on a motorcycle
and experienced psychotherapy with a distressed family- all as research
for eight
books and numerous profiles and essays. Publisher's Weekly praised Gutkind's newest
release, Forever
Fat: Essays by the Godfather, in a recent review: "This collection
of beautifully crafted personal essays demonstrates the author's mastery
over his chosen genre. Always engrossing, the pieces convey emotional
pain leavened with humor and are written with piercing honesty." This
memoir was partially inspired by a Vanity Fair article by James
Wolcott, lambasting Gutkind as the "godfather behind creative nonfiction."
Gutkind dedicates his book to Wolcott, among others. Gutkind's award-winning Many
Sleepless Nights, an inside chronicle of the world of organ
transplantation, has been reprinted in Italian, Korean and Japanese
editions. An Unspoken Art, recently published in the Republic
of China, was a Book-of-the-Month Club selection. The University of
Southern Illinois Press recently re-issued Gutkind's book about major
league umpires, The
Best Seat in Baseball, But You Have To Stand! which USA Today
called "unprecedented, revealing, startling and poignant." Former director of the writing program at the University
of Pittsburgh and currently Professor of English, Lee Gutkind has pioneered
the teaching of creative nonfiction, conducting workshops and presenting
readings throughout the United States. Gutkind is editor of The
Creative Nonfiction Reader (a series of anthologies, from Tarcher/Putnam),
the Emerging Writers in Creative Nonfiction book series from
Duquesne University Press, and Director of the Mid-Atlantic Creative
Nonfiction Writers' Conference at Goucher College in Baltimore. Nonfiction Kristen Iversen is the author of the bestselling biography
Molly Brown: Unraveling the Myth, winner of the Colorado Book
Award, and a textbook, Shadow Boxing: Art and Craft in Creative
Nonfiction. Her work has appeared in The Dickinson Review,
The Bloomsbury Review, The Alaska Quarterly, The Flannery O'Connor Bulletin,
and others, and her short story collection, The Shape of a Secret,
was a finalist in the Flannery O'Connor Award for Short Fiction. Her
forthcoming memoir, Full Body Burden, chronicles her experiences
with Rocky Flats, a government facility near Denver that secretly produced
the heart of every nuclear bomb made in the "U.S. and resulted in radioactive
contamination of nearby communities. Iversen has worked extensively
with A & E Biography and The History Channel,
and she has been featured on The Today Show, the Fox News
Network, and National Public Radio. Iversen has taught at Naropa
University and San Jose State University. She currently teaches
at the University of Memphis, where she is also editor-in-chief of The
Pinch. Iversen is slated to teach the nonfiction workshop in the
Madrid Summer Seminars 2006. Poetry Hank Lazer, Professor of English and Assistant Vice
President for Academic Affairs (University of Alabama), has published
12 books of poetry, most recently The New Spirit (Singing Horse,
2005), Elegies & Vacations (Salt, 2004), and Days
(Lavender Ink, 2002). He edits the Modern and Contemporary Poetics
Series for the University of Alabama Press. Author of Opposing
Poetries (Northwestern, criticism), his poems & essays appear
in American Poetry Review, Boston Review, and Virginia
Quarterly Review (which awarded him the Balch Prize in poetry).
His most recent book of poems, The New Spirit, has been nominated
for the Pulitzer Prize. In addition to his poetry, Lazer is a noted critic of
modern and contemporary poetry. In 1996, Northwestern University
Press published Opposing Poetries, a two volume collection
of Lazer's essays on contemporary poetry. For the past three decades,
his writing on poetry has appeared in leading literary journals.
In 1997, Hank Lazer and Charles Bernstein (co-editors) began a new series
in literary criticism, Modern and Contemporary Poetics, for the University
of Alabama Press. To date, they have published twenty books in
the series. Lazer has participated in several collaborative performances,
including "GardenWorks," a one month installation and performance with
a group of seven artists in Birmingham, Alabama. In 1996, along
with dancer-choreographer Cornelius Carter, Lazer co-choreographed "Cantus
in Memory," a dance piece for eight dancers, and he has performed poems
from his "Days series and "The New Spirit with Alabama musician/poets
Jake Berry and Wayne Sides. Dinty W. Moore is the author of numerous books, including Between Panic and Desire (University of Nebraska), The Accidental Buddhist: Mindfulness, Enlightenment, and Sitting Still American Style(Algonquin, 1997) and The Emperor's Virtual Clothes (Algonquin, 1995). He has written literary nonfiction for The New York Times Sunday Magazine, the Philadelphia Inquirer, Utne Reader, Crazyhorse, and Salon, and fiction for The Georgia Review, The Southern Review, and The Iowa Review, among others. Moore is a 1992 National Endowment for the Arts Fellow in Fiction Writing, and edits the creative nonfiction journal, BREVITY. Screenwriting Allan Moyé is a recipient of the Governor's Award
for Screenplay at the Virginia Festival of American Film and has been
awarded honors from America's Best and the Wisconsin Screenwriter's
Forum. He has written six full-length features, two of which have been
optioned by Hollywood Producers. He studied screenwriting and film production
at Georgetown University, New York Film Academy, and University of New
Orleans, where he earned his MFA. He lives in Virginia where he teaches
at Mary Baldwin College. Allan and his band the
Findells. Poetry I've taught modern and contemporary poetry, American literature, and creative writing (including workshops and directed readings in publication issues and creative writing pedagogy) at UH since moving to Hawai`i in 1990. My critical works include A Poetics of Impasse in Modern and Contemporary American Poetry (University of Alabama Poetry and Poetics Series, 2005) and The Tribe of John: Ashbery and Contemporary Poetry, which I edited (Alabama, 1995), as well as essays on Denise Riley and adoption, Linh Dinh and disgust, Donald Rumsfeld and political poetry, and the poetries of Hawai`i, among others. Forthcoming is a collection co-edited with Annie Finch, Multiformalisms (Word Press, 2008). My poetry books are Aleatory Allegories and And Then Something Happened (both from Salt Press, 2000 and 2004) and Memory Cards & Adoption Papers (Potes & Poets, 2001). I edit Tinfish Press, which publishes an annual journal of experimental poetry from the Pacific, as well as a series of chapbooks and full-length volumes of poetry. In 1992 I was president of the Hawai`i Literary Arts Council. I taught two summers in Madrid for the University of New Orleans non-resident MFA program, and will teach in Summer, 2008 in Mexico for UNO. I've also coached soccer and baseball in Kane`ohe and Kahalu`u. See Susan's page at the University of Hawai'i. Peter Thompson teaches Romance languages and literatures at Roger Williams University. A book of his poems, Late Liveries, appeared in 2000, and another manuscript was a finalist in the National Poetry Series competition. Recent translating credits are Vamos a cantar (folksongs – Capital University Press), and Red Earth, poetry by Véronique Tadjo (E. Washington University Press). He has worked on issues of creolity and francophone writing, under various grants and awards, in Africa, the Caribbean, and the South Pacific. Thompson has also translated Léon-Paul Fargue’s Poëmes (2003), and is currently working on Nabile Farès’s Escuchando tu historia. He is also the editor of Ezra: An Online Journal of Translation. He has also edited two anthologies of francophone literature, Littérature moderne du monde francophone, and Négritude et nouveaux mondes, which are widely used in schools and colleges. Playwriting DALT WONK is a writer who has lived and worked in New
Orleans for the past 25 years. His plays have been produced in New York,
London, Munich, San Francisco (American Conservatory Theater), Atlanta,
Minneapolis (Walker Arts Center) and New Orleans. His musical
collaborators in theater have included Charles Neville, Julius Hemphill
and Alvin Batiste. Some of his recent productions include Spiritual
Gifts, performed at the Ohio Theater, New York City, June, 2006;
Rio Seco , a comedy, performed at le Chat Noir, New Orleans,
2003; Dangerous Gardenias, a comedy of intrigue, performed
at le Chat Noir cabaret, New Orleans, January,1999; A Bitter Glory,
a jazz opera with music by Alvin Batiste, performed at The Contemporary
Arts Center, New Orleans, April 1998. He is currently the theater critic for Gambit Weekly
and WWNO National Public Radio. Among his published works are
The Book of the Golem, a prose tale, with two full color illustrations
by the author, published in a limited edition by Masquerade, New Orleans,
1998; New Fables, a collection of original fables in verse
with illustrations by the author, published in a limited edition by
Masquerade, New Orleans, 1997; The Riddles of Existence: A Carnival
Pageant, verse with full color illustration by the author, published
by Temperance Hall Press, New Orleans, 1995; French Quarter Fables,
a collection of original fables in verse with full color illustrations
by the author, published December 1993 by Temperance Hall Press; To
A Dying Friend, a small volume of poetry, published Spring 1993
by Loyola University. He has received grants from the National Endowment of
the Arts, The National Endowment for the Humanities, The Louisiana Jazz
and Heritage Foundation, The Stern Foundation, The Louisiana Division
of the Arts, The Louisiana Endowment for the Humanities, the City of
New Orleans Municipal Endowment Fund, and the Lila Wallace Foundation. Playwriting James Winter is the Directing instructor at Southeastern
Louisiana University as well as Founding member of InSideOut Productions.
Prior to those positions, he taugfht Western Drama and directing
productions at Hebei Normal University in the People's Republic of China.
As a playwright, he took third prize in the Lamia Ink! International
One-Page Play Contest in 2006; Lamia Ink! published three
of his works. His full-length play, Dead Flowers received
a staged reading at The Actors Studio (NY). Dead Flowers received
three staged readings at The New School for Drama in New York in 2005.
Winter served as Playwright in Residence for Titan Artistic Productions
in New York in 1997, and his plays have been produced by theatres
and universities in New York, New Orleans, Fort Worth and Cleveland. As an actor, Winter has performed at The Hudson Guild,
The Kennedy Center, 13th Street Repertory Theatre, Madison Square Garden,
Cleveland Public Theatre and Dobama Theatre, among others. |
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Jim Grimsley is a playwright and novelist who was born in Rocky Mount, North Carolina. He attended the University of North Carolina at Chapel Hill and currently lives in Atlanta, Georgia. Jim's first novel Winter Birds was published by Algonquin Books in the United States in 1994. The novel won the 1995 Sue Kaufman Prize for First Fiction, given by the American Academy of Arts and Letters, and the Prix Charles Brisset, given by the French Academy of Physicians. The novel also received a special citation from the Ernest Hemingway Foundation as one of three finalists for the PEN/Hemingway Award. Jim's second novel, Dream Boy, was published by Algonquin in September, 1995, and won the 1996 Award for Gay, Lesbian and Bisexual Literature from the American Library Association; the novel was also one of five finalists for the Lambda Literary Award. Dream Boy was adapted for the stage by Eric Rosen, the play premiering at About Face Theatre in Chicago in 1996. The movie adaptation of Dream Boy premiered in 2008 at the Berlin Film Festival. 
Poetry
Gale
Walden has taught fiction and poetry at the University of Illinois,
Columbia College, Harvard University, and Salem State College. She is
the author of Same Blue Chevy, a collection of poetry published
by Tia Chucha Press. She was the 2005 feature poet in Spoon River
Quarterly. Her poetry has been anthologized in Red, White,
and Blues, published by University of Iowa press, and Real
Things, published by Indiana University Press. She has published
short stories in Fiction, Prairie Schooner, The Antioch Review,
Mid-America Review, and other literary magazines. She won the 2004
Boston Review Fiction contest and has completed a novel based
on the winning story, “Men I Don’t Talk to Anymore.”
She has published essays in the Crab Orchard Review, The Chronicle
of Higher Education, Another Chicago Magazine, Salon and “Parenting
and Professing” by Vanderbilt University Press, and is currently
working on a book about a ghost town on Route 66.
